Drawn

The comparison plates: features that separate similar birds, drawn

Every diagram on the site, in one place. Activating a numbered pin highlights the same feature on both birds at once: the comparison the reader actually needs, rather than two pictures side by side.

Common Buzzard against Red-tailed Hawk

The underwing and the tail, enlarged, and which of the two holds up on a juvenile.

Underwing, from below Common Buzzard Red-tailed Hawk Tail, from below barred + broad band plain + one band 1 2 3 4
Feature diagrams, not portraits — each shows where a feature sits and what it does, at the level of detail the text supports.

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Four speculums

The wing panel on a Mallard and on the birds it crosses with, side by side.

Speculum, right wing, panel and borders Mallard — white above and below Gadwall — white panel, no blue Pintail — buff above, white below A cross — borders part-way between 1 2 3 4
The speculum shown as an isolated band — a panel with a border above and below. Colours are indicative, not matched to a specimen.

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Mediterranean Gull against Black-headed Gull

The outer wing: where the white is, where the black is, and what a first-winter lacks.

Outer wing, from above Black-headed Gull — white wedge Mediterranean Gull, 1st winter — no wedge 1 2 3
Outer wing from above, schematic. The wedge is a shape rather than a shade, which is why it survives distance and poor light.

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A drake's year

Breeding plumage, eclipse, and the flightless weeks marked out across the calendar.

A drake’s year JFMAMJJASOND Upper: plumage · lower: able to fly 1 2 3 4
Indicative timing for a British Mallard. Species and seasons vary; the sequence does not.

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Why these are drawn and not photographed

A photograph shows one bird on one day in one light. A diagram can show the feature on its own, at the size it needs to be seen at, with the same feature marked on both subjects, and it makes no claim to be a bird, so it can be checked against a real source line by line. Nothing on this site that carries a diagnostic feature is generated; the photographs are of real birds and the diagrams are drawn by hand.

That is not only a rule about provenance. Drawing a feature forces a decision about it, which is why the discipline is worth something here at all, and it is the argument a handbook on drawing and painting wildlife makes from the other side: get the structure wrong and no amount of finish will rescue the picture.